I bought a reMarkable (review)

I’ve had my reMarkable for about eight months now and I’ve been meaning to write a review for a while. The time has come. Just recently there was a major firmware update that included extensive changes to the user interface, so now is a good a time as any.

Nope, that’s not the official case. More on that later.

So what is this reMarkable, anyway?, I hear you ask. I could say it’s an electronic notepad, but that wouldn’t do it justice. A better description might be: Does for paper notebooks what e-readers do for books. You write on it, just as you would a paper notebook. You keep your pages organised in notebooks – as many as you like (think of each notebook as a file) – and those in turn are organised into folders. Folders can have sub-folders just like on a computer.

I used to have ten or more notebooks scattered around my desk. Each notebook was intended for a specific purpose – one for household finances, another for to-do lists, three or more for notes about day-job projects, another for story ideas, and so on and et cetera.

Paper notebooks fill up, so I had to start new ones and keep track of the old ones because there would be things in those that I needed. I’d get phone calls and need to scribble down a phone number or an address or an account number or something, and invariably I’d grab the closest notebook regardless of what it was supposed to be used for. Keeping track of them all was a nightmare, and trying to find any specific note I’d made became all but impossible.

My reMarkable fixes those problems. All my notes are on one device, in as many notebooks as I need (at the moment I actually have about a hundred individual notebook files spread across maybe thirty or forty folders and subfolders, and that takes up about 750Mb of the built-in 8Gb storage). If I need to make a fast note of something (a phone number, a name, a story idea) I can pop open a new Quick Sheet and do that. I can move that single page into the right notebook afterward. I can reorder pages within a notebook, duplicate pages and move the duplicate copies into other notebooks, as needed. Pages or whole notebooks or even folders can be deleted when I don’t need them any more. Individual pages or complete notebooks can be sent by email (the device needs a WiFi connection for cloud backup, email, etc. Obvs.)

As to the actual writing, it has a provided stylus (no batteries required – it’s powered by induction, or something, when the tip is in contact with the tablet surface). The designers have taken pains to make the thing feel much more like writing on paper with a pencil than on a sheet of glass with a ballpoint pen. It even sounds like writing on real paper. I’ve never seen any lag – it keeps up with me no matter how fast I move the stylus. It’s a joy to work with. The writing surface is a little over ten inches (diagonal measurement, of course). Although that’s smaller than a regular letter- or A4-sized pad, I find it to be a comfortable size. I strongly recommend taking a look at the videos on remarkable.com, which can give you a far better idea than me trying to describe it. (Note: those videos probably show the older user interface, but the important things function in much the same way.) You can navigate between pages by swiping the screen left/right or using the buttons in the lower corners.

About the “tools”: It can emulate regular and mechanical pencils, a ballpoint pen, a fine-liner, a paintbrush, the eraser tool, and a couple of other things. Most tools have three width settings and three shades – black, grey, and white. Some tools produce thicker lines based on pressure and/or tilt so you can use reMarkable as a sketchpad, within limits – it has layers that can be reordered, for example, but there’s no flood-fill tool, and of course it’s all black-and-white. PhotoShop it is not. But you can select a chunk of a page then move it, duplicate it, rotate it, and scale it. Which is pretty damned cool, I can tell you.

You can also convert your handwritten notes to text (it actually does a surprisingly good job of recognising even my horrible spider-scrawl) which can be emailed out.

There are companion apps for Windows, Android, and (I think, but check the web site) Apple devices. They allow you to see your notebooks and folders and rearrange things, as well as letting you import PDF and eBook files which you can then read directly on the reMarkable. Oh, and you can scribble on those PDFs and eBooks, too, to mark things or add your own notes.

It is not a tablet – you can’t install apps, and there’s no web browser, so there’s no Facebook or Twitter or Instagram or anything else. It’s touted as distraction-free because it won’t keep dinging you to tell you have mail or messages or tweets. The only notifications you’re likely to see are to tell you there’s a firmware update to be installed, and that doesn’t happen too often.

I love my reMarkable, and no mistake. But is it all good?

Like anything else, it does have some negatives. There are a handful of things I wish could be fixed or improved. So:

First, let’s talk about price. It’s come down some since I bought mine, but you’re still looking at $500, which is a chunk of change. But it is a high-tech piece of equipment – fast CPU, 8Gb memory, plus the big e-ink display – so maybe that’s justified. (I should mention here: There are financing options that’ll let you pay for it over up to twelve months. And there’s a thirty-day return policy, in case you buy and don’t like.)

Some of the features can be a little tricky to find; for example the other day I wanted to change the template of a page from “narrow lined” to “blank” (i.e. no lines or grids – there are a bunch of these templates built-in) and it took me a while to figure out where that setting is. The real solution is RTFM, I guess.

Then there are the stylus tips. They wear down pretty quickly – especially when banging out a couple of dozen pages of story notes. That wouldn’t be so bad but they run $12 for a box of eight (which includes a little tool to grab the things, which I find totally unnecessary and could do without, since I manage very easily with just my fingernails). And they ship all the way from Hong Kong, so you’re looking at up to ten days to get them delivered. Best to order a bunch and in plenty of time before you run out.

Battery life is sort of good – easily a couple of days even with pretty heavy use (I use mine every day, for at least an hour most days). What’s surprising is that the battery seems to run down almost as fast even when the unit’s sleeping. I don’t understand why that is. Maybe it’s just me. It does charge up pretty quickly, though.

Don’t bother with the slip case (they call it a folio, but it isn’t). It’s $80 and it’s not worth it. You can’t use the device while it’s in the case, so you run the risk of leaving the case somewhere and forgetting it. It doesn’t even have a hole for the charger cord – so you have to leave the thing out, unprotected, while charging. I found several folio cases online, designed specifically for reMarkable, at prices from $15 to $25. The one in the photo above cost me $20 and it’s awesome.

In Summary: I love my reMarkable. I use it all the time, for all kinds of things, and I don’t know how I’d manage without it. I’d recommend it to anyone. If you’re like like me-nine-months-ago and have a desk covered in notepads but can never find the one you need when you need it, I think you’d really like the reMarkable.

The Day @ChuckWendig Kicked My Arse

Last Tuesday evening I drove on down to Tattered Cover books in Denver to see Chuck Wendig on the last stop of the Wanderers tour. (“What’s Wanderers, precious?” I hear you say. It’s a bloody good book, I answer. Lookie here.) I walked into the store, then I walked into the man (really – he happened to be near the door and was right in front of me as I entered. I shook his hand. I haven’t washed that hand since.)

And I bought a hardback copy of the book (even though I already had the book on Kindle, because if I’m gonna get a book signed, I want the book signed), and I sat and listened as he described how the book came to be (on which I will say more) and then took questions including one from me even though he couldn’t hear me properly because I’m still getting over this damned throat bug and I’ve been speaking in a hoarse whisper for a month or more.

At the end he signed the book and I got a selfie with him (which is pretty awful – I should have asked someone else to take the pic, but it didn’t occur to me at the time). And sometime during the proceedings, yea verily, he kicked my arse.

(checks video)

Ok, he didn’t literally kick my arse.

Let me go back to the bit where he talked about the genesis of Wanderers. He mentioned that the story just started off as a very simple idea: a little girl starts sleepwalking – and doesn’t stop. She walks out of the house and into the world and other sleepwalkers join in. (Not a spoiler – that all happens on the first page or two of the book, and sets the stage for everything that happens after.) That’s it. From that simple seed he built the rest of the story.

I’ve mentioned my own story-developing process several times (I even wrote a little book about it). It involves spreadsheets and timelines and peril/tension scales and so on. And if you take a look back at earlier posts here you’ll see that I was working on timelining a story a few months ago.

That sort of died; as I’ve also mentioned, stuff has been happening since December that’s made finding time and staying focused on writing really hard for me, and thanks to that the timeline work ended up fizzling out. (It’s not 100% dead. It just dried out like a mummified corpse. Add the right kind of juice and it might come back. I haven’t decided yet whether to resurrect it; I’ll figure that out when things get back to something more like normal.)

Back to Tuesday. Wanderers starts off as a one-sentence seed of an idea.

Wednesday, I think about that. I also think about a one-sentence idea that had been niggling away at the mid-brain for a couple of weeks. And I start writing it down. Started with that scene, then what happened next and then what happened after that.

Yesterday (Sunday) evening, I wrote the ending (although I’d had the bones of the ending in mind since Wednesday or maybe Thursday). But the whole thing was down on paper (well, actually I used my reMarkable, which made it go waaaay faster. But still, handwriting.)

No timeline, no spreadsheet, no scene cards. No tech. No process-with-rules-I-feel-I-should-stick-to. I just started with this opening scene that I hadn’t been able to get out of my head, and five days later I had a story.

I started off thinking it would be a short story, but it grew like kudzu. At this point it’s just a story, not a book, but it is going to make a book. Not immediately, of course – I’ve put it to one side for a couple of days and then I’ll review what I have and look for inconsistencies, and even though I already have my characters (they became people as I was writing the story) I want to write down some back stories to help me keep their little details straight in my head. And then I’ll start banging actual keys and writing actual words that will become an actual first draft.

For the first time in months, I’m excited and ready to write this thing. The dry spell is over – for good, I hope – and it’s all because Chuck Wendig (figuratively) kicked my arse.

Until next time . . .